Review: The Machine Room EP Launch – The Wee Red Bar, Edinburgh 03/03/12

Originally published for IAreYeti.

To celebrate the release of their debut EP, ‘Love from a Distance’, up-and-coming Edinburgh five-piece, The Machine Room, held a gig at The Wee Red Bar on Saturday night, with support coming from Zed Penguin and Blank Canvas. With three very different sounding acts lined up, it was set to be an interesting night.

Opening the gig was Zed Penguin, who began his set as just him and his guitar, before being joined by friends to play bass and drums on a few more songs. The lack of crowd members at this point made Matthew Winters’ solo half of the performance all the more intimate in such a small venue. To say his music is to an acquired taste is an extreme understatement, which is not to say it is bad, just perhaps a bit odd. Maybe if you were on a road trip through the American deserts, the songs would have more of an impact, but in this tiny venue it just didn’t seem to fit. However, when the band joined him for the remainder of his performance, the music sounded a bit fuller and seemed almost reminiscent of Josh Homme’s work on ‘The Desert Sessions’: it’s a bit psych-rock, a bit stoner-rock but quite blues-y at the same time.

Following on were Blank Canvas, whose upbeat indie-pop songs managed to get the increasing crowd up and moving. For a band that appear so young, their sound is surprisingly mature and is not just an emulation of every other wannabe Arctic Monkeys indie band. Their combination of smooth, dreamy melodies with deep, brooding vocals make for a collection of catchy, yet intriguing songs. Previously released single, ‘By the Fire’, is a great example of the kind of ‘pop songs with an edge’, or ‘heavy pop’, as WU LYF have described their music, that the band tends to create. While the band’s influences do come across in their sound, it is not obvious enough for it to be boring and over-done, as they put their own twist on the dark indie-rock style made popular by the likes of Joy Division and Interpol. Blank Canvas is definitely a band to look out for.

Then came the headliners, The Machine Room, much to the crowd’s delight. Popular singles, ‘Camino de Soda’ and ‘Your Head on the Floor Next Door’, were greeted with cheers and applause from fans; the latter of which has an opening lyric so ridiculous, it’s actually quite brilliant: “I’ve never felt so good since I sang Away in a Manger / I’ve never felt so bad since I went down on a stranger”. For a band to be able to put their songs across live as well as they do on their recordings is a rare skill but the fact that each member is as good as the other at what they do in The Machine Room makes this possible to achieve; something you wouldn’t expect considering the style of their music. As the band’s performance drew to a close, the crowd were left wanting more, with fans calling out for “one more tune”; a promising sign for a band still very much in their infancy.

Overall Rating: 4/5

Review: Marina & the Diamonds – Shepherd’s Bush Empire, London 26/02/12

Originally published for IAreYeti.

In what was to be a showcase of new material from her upcoming album, ‘Electra Heart’, Marina & the Diamonds did not disappoint. Along with brilliant support in the form of Eugene McGuinness, London’s Shepherd’s Bush Empire was set alight with talent on Sunday night.

Looking suave in a silk shirt, with a freshly styled quiff, Eugene McGuinness swaggered on stage and launched straight in to his new single, ‘Shotgun’, showing the crowd what he was all about. When introducing himself, McGuinness commented on how nobody in the crowd will have any idea who he is but that was no issue, as they would by the end of his set.

With a name like Eugene McGuinness, you would not usually expect such an effortlessly cool performer, with a very old-school rock’n’roll vibe about him. But it is not just McGuinness’ style that is so appealing; most importantly, he also has great songs like ‘Lion’ and ‘Thunderbolt’ to hold a crowd’s attention.

In a change of musical style, when the crowd had sufficiently packed in, Marina graced the stage, dressed like a flower girl at a wedding, and performed a beautiful rendition of recent single ‘Radioactive’. Accompanied only by a piano, Marina was able to show off the operatic tones of her voice, which don’t always come across on her recordings.

While lyrically her new songs may still surround the same old themes, highlighting her fascination with the US and the American Dream, the sound seems to be a lot more 80’s influenced, with electronics and synthesisers featuring more heavily.

Not to let anyone down, Marina played plenty songs from her debut album, ‘The Family Jewels’, including popular singles ‘I Am Not a Robot’ and ‘Oh No!’, much to the crowd’s delight. Ending with an encore of ‘Fear and Loathing’, a song from her upcoming album, followed by hit single ‘Hollywood’, the gig drew to a close.

With a predominantly male audience declaring their love for Marina in between almost every song and constantly commenting on how hot she is, it was quite difficult to take her seriously. However, she is a very good performer, with a large enough collection of great pop songs to get even the most timid of crowds moving. If only she would lose the cuddly toys and heart-shaped stage props…

Overall Rating: 3/5