Originally published for The Skinny.
Amber Bain, aka The Japanese House, takes to the stage at Edinburgh’s Liquid Room looking like the fourth member of Hanson, with her denim on denim attire and wispy blonde hair covering her face, announcing that she’s ill but will “try not to cough.”
Luckily Bain’s vocoder masks any sign of illness in her vocal, as she plays through songs from her three EPs with almost no interruption. In fact, the only between-song chat we get from Bain is to introduce the next song. What Bain lacks in charisma, however, she makes up for in songwriting ability: particular highlights include Teeth, Saw You in a Dream and Clean. The performance of the latter is sadly ruined though by the distracting and unnecessary strobe lights, but the band seem to think it’s cool and headbang along to the track’s clichéd dubstep-esque break.
The difficulty with Bain’s music is that, at its core, it is bedroom music. It’s minimal, ambient and best listened to alone with headphones in; live, it just doesn’t quite have the same effect. But this doesn’t stop her droves of teenage fans, many of whom will be aware of her music from the 13 Reasons Why soundtrack and from her ties with The 1975, gazing up at her admiringly and singing along to every word.
There is something undoubtedly captivating about The Japanese House but if Bain intends to move on to playing headline shows in bigger venues then she’s going to have to come up with something more exciting than a few strobe lights.